At the start of Dan Browns The Da Vinci Code, a museum curator, Jacques Saunire, lies dead in the Louvre, Paris. His corpse is spread-eagled like Leonardo DaVincis Vitruvian Man and in Saunires own blood there is scrawled a pentacle and a Fibonacci sequence. It turns out the Fibonacci sequence, a series of numbers formed by adding the sum of the previous two numbers (1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, etc) is key to finding the hidden meaning in DaVincis paintings and cracking the code.
Brown is by no means the first person to instill the Fibonacci sequence with quasi-mystical significance. A number divided by its predecessor in the sequence always approximates to 1.618, or phi. The golden ratio, as it is known, recurs in nature, in architecture and, of course, in art. In finance,...
You must be a subscriber to access this archived content.
If your subscription includes access to the archive, please log in now to view.
To gain access to this content visit the subscription page or call our hotline on +44 (0)207 779 8999.
Subscribe online now and save up to 30% on your subscription.
If you are a trialist or subscriber, please enter your username and password at the top right-hand side of euromoney.com
Subscribers to Euromoney benefit from:
- 12 months access in print and online - on euromoney.com, read the latest issue early online, search for specific developments by region or sector, interrogate the results of Euromoney's benchmark polls, and view the archive dating back to 1996
- More than 30 specialist research guides free
- The results of Euromoneys polls and surveys
- Tailored RSS news feeds direct to your desktop
- News delivered directly to your mobile device or PC
- Personalised email newsfeed of 'Top stories' and 'Breaking news'
Click here to subscribe